The prevalent point of view during the time of the Cahokians regarding songs focused on identity and genealogy, contrasting with the European perspective on voice subjectivity.
Indigenous epistemology during the time of the Cahokians focused on identity and genealogy as expressed through song, rather than on revealing personal subjectivity through music. This contrasts with the European view that associated subjectivity with voice.
For the Cahokians, songs were indicators of traits like strength or determination, not deep personal subjectivity. The reception of captive song was guided by a cultural focus on balance between compliance and resistance as a key aspect of singing in captivity.
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