Bruto's use of pathos in Act III, Scene II of Julio César reflects his internal conflict and deep sense of patriotism, appealing to the audience's emotions.
The best example of the use of pathos by Bruto in Act III, Scene II of Julio César is option B: "No es que amara menos a César, sino que amara más a Roma. ¿Preferirías que César viviera y muriera todos los esclavos, que César muriera, para vivir todos los hombres libres?" This statement reflects Bruto's internal struggle and his deep sense of patriotism, appealing to the emotions of the audience.
Pathos in literature refers to the emotional appeal used to evoke pity, sympathy, or empathy in the audience. In this case, Bruto's words highlight the conflict between his personal feelings and his loyalty to Rome, creating a poignant moment in the play.
Overall, Bruto's use of pathos in this scene exemplifies the complex human emotions and moral dilemmas faced by the characters in Julio César, adding depth and resonance to the narrative.
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