Mary Shelley uses the restorative power of nature in Victor's climb up Mountanvert in Frankenstein, reflecting Romantic ideals of renewal and critique of societal constraints.
In chapter X of Frankenstein, when Victor climbs Mountanvert after Justine's execution, Mary Shelley likely plays off the Romantic stereotype of nature's restorative power. This scene portrays nature as a force that can offer solace and healing amidst tragedy and turmoil, reflecting the Romantic notion of nature being a source of renewal and comfort.
By depicting Victor seeking refuge and contemplation in the natural world, Shelley highlights the Romantic belief in nature's ability to rejuvenate and revitalize individuals, showcasing the transformative power of the natural environment in the face of human suffering.
Through this scene, Shelley subtly critiques the societal constraints and injustices that Victor and others face, suggesting that connecting with nature can provide a sense of sacred connection and spiritual renewal that transcends human limitations.
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