Ingres created an acceptable erotic image through exoticism and an Orientalist setting, deviating from traditional mythological depictions.
Ingres created an erotic image that was acceptable due to its exotic context and geographic distance, contrasting with traditional mythological representations like Venus.
The use of odalisque (concubine) in an Orientalist setting, surrounded by elements symbolizing the French idea of the Orient, added to the acceptance of the painting within French culture.
Despite its controversial nature, Ingres' portrayal of porcelain sexuality embraced romanticism, sensuality, and Western perceptions of the harem lifestyle.
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