In Dziga Vertov's Kino-Glaz (1924), the concept of Kino-eye is showcased through montage editing techniques to depict the process of making bread efficiently.
Kino-eye is a filmmaking concept developed by Dziga Vertov, a pioneering Soviet filmmaker. In his film Kino-Glaz (1924), Kino-eye technique is illustrated through the use of montage editing techniques to quickly cut between specific activities showing the process of making bread. By employing editing to create rapid transitions between different stages of bread production, Vertov captures the essence of the process in a short period of screen time.
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