Which excerpt from Silent Spring best appeals to readers' pathos?

A. "So it had been from the days many years ago when the first settlers raised their houses, sank their wells, and built their barns."
B. "The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines."
C. "The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them."
D. "Yet every one of these disasters has actually happened somewhere, and many real communities have already suffered a substantial number of them. A grim specter has crept upon us almost unnoticed, and this imagined tragedy may easily become a stark reality we all shall know."



Answer :

Final answer:

The excerpt from Silent Spring appeals to readers' pathos by depicting the loss of harmony with nature due to industrialization.


Explanation:

The excerpt from Silent Spring that best appeals to readers' pathos is the one describing the town and its surroundings before the impact of industrialization. The vivid imagery of the peaceful coexistence of nature and the townspeople creates a sense of nostalgia and loss, appealing to readers' emotions.

This excerpt evokes a feeling of harmony with nature disrupted by human activities, highlighting the emotional impact of environmental destruction. It portrays a stark contrast between the beauty of the natural world and the encroaching threats of industrialization, eliciting a sense of sorrow and empathy from readers.

By emphasizing the tranquility and interconnectedness of the ecosystem before its degradation, this passage effectively tugs at readers' heartstrings, urging them to reflect on the consequences of environmental harm and the importance of conservation.


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