Wagnerian leitmotives are distinguished from the reminiscence motives used by Verdi and Bizet in that

A. leitmotives connote dramatic and character development through their gradual musical transformation and combination with other leitmotives, while reminiscence motives tend to maintain a single, static meaning.
B. leitmotives are always first played by the orchestra without words, while reminiscence motives appear first in the vocal part.
C. leitmotives are usually diatonic, while reminiscence motives are usually chromatic.
D. leitmotives are never transposed, while reminiscence motives may appear in any key.
E. leitmotives refer to abstract ideas rather than concrete things, while reminiscence motives refer to concrete characters or objects.



Answer :

Final answer:

Leitmotives in music dramas by Wagner gradually evolve to depict characters and themes, setting them apart from static reminiscence motives.


Explanation:

Leitmotives, associated with Richard Wagner, are musical motives linked to characters or themes in a drama, evolving and combining to convey dramatic development, unlike reminiscence motives that have a static meaning. These leitmotives are initially played by the orchestra before words, fostering character and narrative connections through their development. They are often melodically related and can represent abstract ideas or objects within the composition.


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