Plato points towards the heavens in Raphael's painting to symbolize the realm of ideal forms beyond the material world.
Plato pointing towards the heavens in Raphael's painting "The School of Athens" symbolizes his adherence to his theory of forms, where he believed that ultimate reality and immutable forms existed beyond our earthly realm. This gesture signifies Plato's philosophical belief that the realm of ideal forms transcends the material world. In contrast, Aristotle's gesture emphasized the form within particular matter, highlighting his viewpoint that ultimate reality could be found within observed instances of matter.
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