The New Negro in the Harlem Renaissance challenged stereotypes and promoted self-assertiveness and racial pride.
The New Negro was a term associated with the cultural movement known as the Harlem Renaissance in the 1920s and 1930s. It represented a shift from traditional stereotypes of African Americans and emphasized self-assertiveness, racial pride, and a rejection of white cultural norms.
Figures like Langston Hughes, Zora Neale Hurston, and Claude McKay were prominent contributors to the Harlem Renaissance, promoting African American art, literature, and music while challenging prevailing societal views.
This cultural movement also laid the groundwork for Pan-Africanism and highlighted the importance of celebrating Black history, identity, and achievements.
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