Final answer:
Lully's French overture typically starts with a slow introduction, transitions to a faster section, and showcases a contrast between legato and staccato articulations.
Explanation:
Lully's French overture always began with a slow introduction followed by a faster section, featuring a contrast between legato and staccato articulations.
For example, the overture could start softly with woodwinds and later transition to a forte section by the whole orchestra, incorporating dynamic changes and alternations in tempo.
This stylistic approach creates a sense of drama and contrast within the piece, typical of Baroque music.
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