Georges Méliès and Hugo are filmed using opposing point of view shots to foreshadow their adversarial relationship.
The reason Georges Méliès and Hugo are filmed via opposing point of view shots, not within a two-shot, when Méliès challenges Hugo to fix a toy mouse is to foreshadow their adversarial, oppositional relationship. This camera technique underscores their current adversarial, oppositional relationship by visually representing the tension and conflict between the characters.
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