Picasso revolutionized art by defying Renaissance perspective and academic figure drawing, paving the way for Cubism.
Picasso overturned Renaissance perspective by abandoning the traditional linear representation of space. Instead of using a single point of view, he depicted multiple angles simultaneously, breaking away from the strict rules of perspective.
In terms of academic figure drawing, Picasso shifted from naturalistic representations to abstract forms. He distorted and deconstructed the human figures in Les Demoiselles d'Avignon, moving towards a more unconventional and geometric style.
This departure from established norms marked Picasso's innovative approach and laid the foundation for the Cubist movement in modern art.
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