Final answer:
The 'Hallelujah' chorus from Handel's Messiah mixes polyphonic and homophonic textures in a sectional form.
Explanation:
'Hallelujah' from Handel's Messiah is best described as a chorus mixing polyphonic and homophonic textures. This piece showcases sections delineated by texture changes, with moments of polyphony and homophony throughout. At the end, the texture shifts to a homophonic style, delivering a powerful musical proclamation.
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